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Her voice rising
By Flamenco X
Directed by Maria de los Reyes
Playing at
Show Description
Her Voice Rising is a feminine show that amplifies women and gender-expansive artists, reclaiming space through powerful storytelling, resistance, and radical creative expression.
Genre and Content
Content Warnings
The creators say this show is appropriate for ages 7-11 and up
Learn How To Fringe
Seat Reservations and Show Tickets
| Add to Schedule | Date | Time | Ticket Options | Quantity | Purchase |
|---|---|---|---|---|---|
| Fri 08/01 | 8:30 PM | ||||
| Sun 08/03 | 2:30 PM | ||||
| Mon 08/04 | 7:00 PM | ||||
| Wed 08/06 | 5:30 PM | ||||
| Sat 08/09 | 10:00 PM |
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Video Trailer
Cast and Crew
Alma Frutos
CiaLuna
David Elrod
Isa Klinkhammer
La Pajarita
La Pastelita
Rafaela Del Sol
Shelby Jaeger
Wang Ping
Windy Deng
Yung-Tsi Bolon
Maria de los Reyes
DirectorMaria de los Reyes is a Minneapolis-based flamenco dancer, singer, and visual artist whose work bridges tradition, innovation, and community. She trained for over a decade under Eva Encinias Sandoval, Marisol Encinias, and Joaquin Encinias through the University of New Mexico, the Conservatory of Flamenco Arts, and the National Institute of Flamenco. She later deepened her studies in Spain with masters José Galván, Carmen Ledesma, Belen Fernandez, and Torombo. Maria holds academic credentials in the arts and education, including graduate-level training focused on inclusion and trauma-informed practice. As co-founder of Flamenco X, she creates performances and programs rooted in cross-cultural storytelling, artistic excellence, and equity—building bridges to immigrant, BIPOC, and Spanish-speaking communities throughout Minnesota and beyond.
More Information
Flamenco X
Flamenco X is a Minnesota-based arts organization rooted in flamenco tradition and committed to artistic excellence, innovation, and cultural equity. Founded by Maria de los Reyes and collaborators, Flamenco X builds immersive performance and education experiences that explore intersections of dance, visual art, music, and identity.
The company’s mission is to create transformative, high-quality flamenco arts experiences that center heritage while embracing experimentation. Flamenco X works with both local and international artists to produce cross-disciplinary works that resonate with diverse audiences.
Its programming includes professional theatrical productions, community-based residencies, workshops for underserved communities, and mentorship between elders and emerging artists. With strong ties to Minnesota’s flamenco schools, BIPOC artists, and immigrant networks, Flamenco X advances dance as both an artistic and communal practice. Its past productions have engaged thousands through performances, schools, cultural centers, and digital platforms.
Flamenco X - "Andando" Tientos + Tangos de Sevilla
This piece explores everyday Gitano life set in Southern Spain as a tribute to travel , migration and the power of community
Cialuna - Emma Goldman's "Guajira" with Choreography by local Flamenco Treasure: Susana Di Palma
“It does not require much wisdom to trace every war back to a similar cause.
Let us take our own Spanish-American war, supposedly a great and patriotic
event in the history of the United States. How our hearts burned with indignation against the atrocious Spaniards!
True, our indignation did not flare up spontaneously. It was nurtured by months of newspaper agitation,
and long after Butcher Weyler had killed off many noble Cubans and outraged many Cuban women.
Still, in justice to the American Nation be it said, it did grow indignant and was willing to fight, and that it
fought bravely. But when the smoke was over, the dead buried, and the cost of the war came back to the
people in an increase in the price of commodities and rent—that is, when we sobered up from our patriotic
spree—it suddenly dawned on us that the cause of the Spanish-American war was the consideration of the
price of sugar; or, to be more explicit, that the lives, blood, and money of the American people were used to
protect the interests of American capitalists, which were threatened by the Spanish government. That this is
not an exaggeration, but is based on absolute facts and figures, is best proven by the attitude of the American
government to Cuban labor. When Cuba was firmly in the clutches of the United States, the very soldiers sent
to liberate Cuba were ordered to shoot Cuban workingmen during the great cigarmakers' strike, which took
place shortly after the war.” ― Emma Goldman, Anarchism and other essays
Guitar Solo
Flamenco X - “La Pasajera”
A Performance art piece about the border conflict between Mexico and the United States
Qué Bonito” Bachata Ladies ensemble
is a song of hope and new beginnings. Join the Onírico Dance ladies in bachata shines as they bond as a team and find support for their individual voices in each other. A Journey into strength, sensuality and sisterhood.
My name is Immigrant” - Wang Ping Narration
This piece is a song for the plight and pride of immigrants around the globe, including the U.S., China, Syria, Honduras, Guatemala, Nepal, Tibet and other places. Whether they pull up their roots to flee war, the rising sea or drought, for religious freedom and freedom of speech, or simply to seek a better life, immigrants are the frontiers of civilization. They are a force of nature, like salmon, monarchs, trees, water, and mountains, moving with rivers, the earth and universe. Migration is the signature of life - no immigrants, no economy; no immigration, no civilization; no migration, no life. We are all immigrants.
“Gitana” Yung-Tsi - Brazilian Zouk fusion
Danced as a Brazilian zouk fusion solo by Yung-tsi that incorporates Romani and Contemporary Western elements in an exploration of global voices.
Flamenco X - “Sangre”
A Piece dedicated to Missing and Murdered Indigenous Women in Amerca, we raise awareness to the issue
8/6 and 8/9 Will feature the piece below and cut pieces 5 & 7 from the main show
Flamenco X - “Feeling Good"
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