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Minnesota Fringe/Account/Artist Show Information/Close Call: A How-Not-To Guide to Being a POS

Close Call: A How-Not-To Guide to Being a POS

By Navel Gaze Productions

Created by Brian Watson-Jones

A one-man show exploring the paths not taken, and the darkness that they could have led to. Why did we become what we are, when it would be so easy to be something else?
Abuse/Physical violence,Adult language,Sexual content,Violence
The creators say this show is appropriate for ages 12-15 and up
Seat Reservations and Show Tickets
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Add to Schedule Date Time Ticket Options Quantity Purchase
Thu 08/01 5:30 PM

Pre-sale closed Online sales end at 11:59pm the day before the show, or when 70% of the house is sold.

Sun 08/04 4:00 PM

Pre-sale closed Online sales end at 11:59pm the day before the show, or when 70% of the house is sold.

Mon 08/05 8:30 PM

Pre-sale closed Online sales end at 11:59pm the day before the show, or when 70% of the house is sold.

Fri 08/09 10:00 PM

Pre-sale closed Online sales end at 11:59pm the day before the show, or when 70% of the house is sold.

Sat 08/10 7:00 PM

Pre-sale closed Online sales end at 11:59pm the day before the show, or when 70% of the house is sold.

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Video Trailer
Cast and Crew
Brian Watson-Jones
Writer/Performer
Brian Watson-Jones (he/him) As a performer, Brian has been seen at the Minnesota Fringe as the curator of Fringe Orphans (2012, 2013, 2014, 2018), the Ringmaster in The Bisexual Unicorn in 2019, and a cannibalistic bear scout in 2023's Slices (a Golden Lanyard recipient). As a writer, he's a part of Tedious Brief Productions, and co-wrote all of their previous shows (Bard Fiction, Tempests, The Final Act, and Mead Hall). As a maniac, he's a company member with The Haunted Basement, and writes little horrible things, puppets a giant pig, or chases people while dressed as a bear. As an... all of those, he writes and performs for Ghost Wax, a locally-produced horror anthology podcast which won an Audio Verse award for 2023 Best New Production. His resume is a confusing mess, and he wouldn't have it any other way.
Cate Jackson
Co-Director
Cate Jackson (she/her) Cate is a local actor and creator who has worked with Jackdonkey Productions, Sparkle Theatricals, Nimbus Theater, An Alleged Theater Co, TrP, TheatreX, Smartmouth Comedy, Live Action Set and many more. When not onstage she is usually babying her plants or can be seen wandering wherever there are trees.
Maridee Slater
Co-Director
Maridee (they/she) - Maridee is a builder-artist. Sometimes they make with their hands (as a painter, welder, carpenter, fabricator), sometimes with their head (as a director, educator, or producer), sometimes with their body (as a choreographer, movement coach, or performer), and always by encouraging, prodding, and cheerleading others. MFA, Directing (Columbia University).
Scot Froelich
Sound Designer/Music Mixer

Scot is a long-time Fringer, having worked on festival shows since 2002. He's performed in a dozen or so, sound designed many more (including this year's They Still Make Film For That? by Kevin Ealaín), and written and produced four of his own, including Men Will Be Boys in 2013, Break Your Heart in 2016, A Man's Guide... in 2019, and last year's Aging In an Age of Change. He's also a company member at Freshwater Theatre since 2010 (started here at the Fringe with Ruth Virkus' Table 12) and the newly-minted Managing Director of Broken Wing Productions (kicked off with 2022's My Empty Arms). He's producing The Wind Phone over at The Ribs of Humanity, so check that out!

More Information

Please enjoy a five-star review from Single White Fringe Geek Matthew Everett!

http://swfringegeek.blogspot.com/2024/08/fringe-2024-day-5-in-brief.html

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