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Reviews for: Bay Creek
Masterful Storytelling!
This show is proof that you don't need complex effects or production values to be creepy. All you need is a strong story told well, and this show absolutely does that.
The lead (and only? I'm not sure if the overhead voice is recorded and cued or live) performer switches effortlessly between his two states, like flipping a light switch on and off. He tells the story of four generations of crime-ridden shenanigans with such relatable energy that.. yeah, they're technically the bad guys. Some more than others. But you still want to root for them.
See this show while you can. At the time of my review, there's only one performance left, and I'm urging everyone I know to put this high on their list. It's a strong contender for my favorite Fringe show.
Beware the current
Spooky and compelling, full of rural river lore. Derek’s storytelling is absolutely riveting and more than one will leave you looking over your shoulder with a chill running up your spine. Shoutout to the simple and brilliantly effective lighting design by Jackson Funke
So good, everyone loved it!
This was done so well. I've never been to a one man show or seen acting/anything like this before. First time hearing about Fringe Fest and we decided we had to go. This was one of the shows we absolutely had to go and see. My husband said that he was enthralled the entire time. My 15yo son was hanging on every word. It was great to get them off of their screens and getting some culture! Highly recommend the show. It was funny, it was sad, it was mysterious... It had it all! I'm so glad we went and chose this show!
Lots of Potential, Falls Short
I had a hard time sticking with this show. Miller is obviously an accomplished performer, and the world into which he invites us is genuinely interesting. But the structure of the writing and the performance made it difficult for me to immerse myself in the world he envisions. First, it's a bit of a climb to do a storytelling show when setting up a situation where the storyteller is reluctant to tell the stories. The drama this situation creates did not compensate for the lack of clarity it presents. Second, this story is highly dependent on a wide variety of flashbacks, and it's tricky to pull that off without taking special care to keep a focus that keeps the piece on track. I thought it fell down here - we had several characters with very similar names in flashbacks that covered a wide variety of time. At one moment, we are 70 years ago, at another we're 20 years ago, then we're a few weeks ago. I had trouble keeping it all straight and eventually quit caring. My attention started wondering and I was gone. It would have been nice to have an anchor (perhaps in the present) to which we returned to help us keep everything straight. Some variation in the nature of the performance between flashbacks might have also helped. I loved the idea, but it felt to me that it just kept getting in its own way. I wanted to like this more than I did.
Great Stuff
I missed this at TC Horror Fest so getting an "encore" performance was great. It felt very horror podcast-core, but the lighting and some very strong performance choices justified it being on stage. Definitely recommended!
Enthralling!
Wow! This was masterfully done. Chilling.
Wonderful performer and tense all the way through
A haunting, well-written script and a powerful performance--the tension and details were compelling all the way through
Were we really in bare theater w/a chair & table?
Creativity 5; Production Value 5; Interest (subjective) 4
When the lights went on, I was shocked! Derek had drawn such a clear picture of the creek and surroundings that I was there, not in the nearly bare theater with just him, a chair, and a table. It was an incredible feeling as a result of his acting skills. And Rob Ward as the voice over? Made a great experience even better. Only one (small) gripe: it was tough to keep the characters apart, maybe a family tree of both families in the program, or maybe the cops could have one laying on the table that he looks at (and shows to us).
Fantastic Horror Show
This show was really excellent! Even though it's just one actor, he does a fantastic job inhabiting different characters throughout the show, so it never feels boring. The horror in the situation is never over-the-top, never too obvious. It's definitely present and apparent from the start, but the script and the performance do an excellent job of making the scale and danger of it build over the course of the show.
I was sad to miss this one at the TC horror fest last year, but I'm so glad it came back around for Fringe this year! Definitely going to be one of my favorite performances of the whole Fringe, I can already tell.
Frightening Precision
I woke up at 4am and had to turn all of the lights on as I went to get water in my kitchen. I knew that there would be a monstrous void following me, ready to charge. The steady pace and haunting delivery of this piece is what true horror is all about - a story that infiltrates your mind in the darkest hour. Kudos on this incredible script! From, a fellow Illinoisan.
Master Class
If you want to become a master storyteller, watch this guy. Solid writing, great commitment, excellent physical work, nice vocal variety, and great building of suspense. This one gets my vote for Best of the Fringe. See it if you can.
Pulse-pounding storytelling
Derek Miller's tight, focused storytelling kept audience members rapt at our 10pm performance. The script is darkly vivid and grippingly embodied, conjuring eerie landscapes, shadowy characters, and a startling conclusion as all the threads come together. This show leaves an impact that lasts long after the lights go down!
Incredible Performance
I love rural horror and crime drama, so I expected to like this. It was better than I'd even hoped. Simple choices that made huge impacts. Highly recommend.
Best horror show I’ve seen at Fringe in a while
Derek is a captivating storyteller who managed to to relentlessly hold my attention. I’m not usually a fan of one-man shows, but he’s got the gravitas to pull it off. Enter into the world of a man who lives within a generational curse. You can feel the tension as he weaves in family lore with humorous and horrific anecdotes. While I will admit that it was a bit hard to follow at the beginning and he might benefit from a prop or some background scenery to help establish time, his talent is enough that I can’t not give it five stars. I hope to see more of your work at Horror Fest!
Grabs You & Doesn't Let Go
Bay Creek isn't the type of show I'd usually seek out at Fringe — but I'm so glad I did. A haunting, well-written script and a powerful, wonderful performance from Derek Lee Miller. This story grabed me immediately and did not let go. Sometimes the best Fringe discoveries are the ones you didn't expect. Don't miss this spooky tale.
So, Engaging
I just love when you a grab a show, that you wouldn't normally see. You have an open spot between two of your must see shows and it turns out to be fantastic. Wonderful storytelling, intriguing story that kept you on the edge of your seat. I definitely will keep an eye out for Derek Lee Miller, I want to see and hear more!
Best of Fringe
A one man tour de force. I was mesmerized by the tightness of the writing. I was in awe of the clean/clear choices and the precision of the acting. I was captivated by the spare, effective lighting. I was transported by the highly effective soundscape. I was incredibly impressed by the professionalism of the entire production. My Best of Fringe for this year.
Utterly hypnotic
Really happy I got to see this one after unfortunately missing it at Horrorfest last year. The effortless sense of dread in every second of this show makes its hour runtime feel like ten minutes.
Twice as Nice with Greater Fright
I first saw Derrick perform "Bay Creek" at the Elgin Fringe Festival and then again here in Minnesota. Twice is nicer with greater fright. Knowing the story doesn't spoil. It increases the thrill and eeriness of the journey. In this brilliant solo performance, Derrick embodies how a horrific force to be wrecked with haunts generations in his family. Gone is gone, but not necessarily dead. I loved sitting front and center right up to the end!
Amazing storytelling, gripping
I loved this show. Excellent performance, the stories being told wove together beautifully, it held my attention completely. I'm usually not a fan of one man shows but this one worked perfectly. It all wrapped up into one hell of a conclusion.
I have the world's tiniest suggestion / complaint / thought, about the literal final thing that happens on stage. Trying to not spoil anything here because really, everyone should experience this tale as blind as possible. To Dr. Miller, I think the final moment should have a different noise associated with it - maybe a mighty roll of thunder, or a great roar of rushing water?
Stay away from the creek
I'd seen this show at the Twin Cities Horror Fest and am happy to say a second viewing is even better than the first. Derek Lee Miller is an excellent story teller. The lighting and sparse scene create a spooky eerie mood. Something really is out there. When the time comes, will you say YES or NO? See this show and then decide.
A Gem
Derek Lee Miller is so talented, and he was totally in control of this gripping and atmospheric tale. I’m so glad I got to experience this, since I missed it at the horror fest. Recommended!
“Creek Bay:” Off the Record, On the Mark
The evocative “Bay Creek” is one long intense interrogation scene, and it was transfixing to watch all the ways Derek Lee Miller chooses to unspool that thread. Deft lighting and acting were able to make the Barbara Center as small as an office or as infinite as an abyss.
Focused and Lean
This play is precise and effective with one very dialed-in performer, simple but strong light choices, and audio for plot and atmosphere. I was a little worried going to the opening 10pm show, as it was the third one-man show I was seeing that day. The late night was a perfect opening, and the experience was uniquely engaging due to the strong, spooky script. Some shows just get under your skin.
Cast and Crew
Derek Lee Miller
writer/performer
Derek is a long-time Fringe performer now on his 22nd year in a row at Minnesota Fringe, where he has been an actor, writer, designer, musician and whatever else needs to be done to make the show happen. You may have seen him at Fringe with Sandbox Theatre in
June of Arc and
Marie-Jeanne Valet, Who Defeated la Bete du Gevaudan; with Transatlantic Love Affair in
Ballad of the Pale Fisherman,
Ash Land,
Red Resurrected,
These Old Shoes,
105 Proof and
5x5; with The Winding Sheet Outfit in
Blood Nocturne,
You Are Cordially Invited to the Life and Death of Edward Lear,
Stabby Stab Stab,
Årsgång and
The Spirit Moves You to Color the Unseen, or in his solo shows
Know Your B-Movie Actors and
The Banana Wars. You can also catch him again at this year's festival in
A Confluence of Magical Arseholes
Originally from Pike County in west central Illinois, Derek earned a BFA in acting from Millikin University, and has been a resident of the Twin Cities since 2003. He is the former Artistic Director of Sandbox Theatre and a founding ensemble member of Transatlantic Love Affair. He also illustrated the children's book The Princess in the Clouds. You can see more about what Derek has gotten up to in the past at derekleemiller.com, and if you want to know what he's doing when he's not on stage, you can follow along as he continues to build an overly-complicated cabin in the woods at The Birchlands
Rob Ward
voice
Rob Ward is an award winning actor, playwright, and choreographer who has been a part of the Twin Cities theater scene since 2013. Rob has worked several local companies including Open Window Theatre, Sidekick Theater, Oncoming Productions, Mindless Mirth, Frosted Glass Creative, The Old Gem Theater, and Actors Theater of MN. Rob is also a frequent performer at the Minnesota Fringe Festival. His one-man shows,
How To Kill A Horse! and
Welcome To The Food Chain won a "Minnesota Fringe Golden Lanyard" and the "World Crime League’s Most Diabolical Show at Fringe" awards in 2023 and 2024 respectively. You can also see him onstage at this year's festival in
The Lousiest Werewolves: Mania in the Moonlight.
Additionally, Rob has acted in film, television, music videos, web series, and podcasts. He is also the author of the sci-fi crime novel,
Click. Learn more at
RobWardCreative.com.
More Information
Bay Creek premiered at the 2025 Green Bay Fringe, where it won that festival's "Boomerang Award." It subsequently appeared at the 2025 Elgin Fringe and the 2025 Twin Cities Horror Festival.
"MUST SEE. Miller delivers a confident solo show... Extra points for top-notch writing." - Pioneer Press
"Miller has crafted a devious little script, and he’s the perfect performer to act it out. 5 Stars - Very Highly Recommended " - Single White Fringe Geek
"Miller is never less than completely hypnotizing" - The Stages of MN
"This is a good old-fashioned ghost story, brilliantly written and performed by Derek Lee Miller." - Cherry and Spoon
Audience member reviews from past performances:
"Horror story at its best! Derek had me in the palm of his hand."
"Derek Lee Miller is a VOICE and a PRESENCE."
"Whoa. An amazing performance for a dark tale."
"Truly unsettling and riveting... will have you on the edge of your seat."
"A must-see for horror and true crime fans! Fantastic acting and good scares!"
"I was blown away by this show. So well written and acted."
"Dark and amazing. He's an incredible storyteller."
Bay Creek is a work of fiction, but Pike County, Illinois is a real place. I'm from there. No, it's not anywhere near Chicago. According to family lore, my great-grandfather really did smuggle liquor across the Mississippi River. There are signs on some river bridges really warning that smuggling cigarettes across state lines is a crime. There really was a very public shooting in a cafe in Pittsfield back in the '50s. My dad really did once tell me "There's bodies buried out in those fields they'll never find." My mom says she really has seen ghosts. A lot of people in Pike County will tell you the same. That being said, this play is entirely a work of fiction. Really.
To get a flavor of the kinds of supernatural stories people down there tell, I would recommend reading Legends and Lore of Southern Illinois by John W. Allen, but I fear I may be one of the few people left with a physical copy.